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Finale’s feature makes repetitive score setup much more efficient and allows a little more time and space to hit the ground running on new projects.

I often write several pieces for the same people in the same ensembles. C – Audio units, Banks and Effects setup on FinaleĪlthough this may seem like a very simple feature, it is something I’ve never noticed when using my previous version of Sibelius – customisable ensemble selection when using the new document setup wizard. I was able to calibrate score playback within seconds. Sibelius does offer similar functionality, however I found Finale’s setup to be both concise and intuitive. I am already growing very fond of the setup page for AU, banks and effects. B – The XML score import on Finale is, for the most part, a very smooth process.Īlthough Finale’s own sound banks are absolutely fit for purpose when demoing a score. A – Exporting from Sibelius as an XML score is in itself a very simple procedure Fig. XML files import surprisingly well into Finale – as can be seen from figs A and B below – with only slight formatting and text alignment hiccups which are very easily and quickly remedied. sib files to xml so they are not lost to history. sib format and I have begun the lengthy process of converting over two decades of. Although it will most likely take months, if not years, to gain a similar degree of fluency with Finale as I have with Sibelius, there are several tasks that Finale quite noticeably does very well, which will assist readers thinking of transitioning between platforms:Īlthough not an exclusive feature to Finale, the XML score import function offers a lifeline when transferring Sibelius files from their bespoke.
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Please consider this article my first impressions of Finale in 2021 – I will definitely need to revisit and update my post as I become more fluent with the software.

Nine years on, I have just installed a fresh copy of Finale (v27) on my Mac and am very grateful to the team at Makemusic for making this article possible. My initial thoughts of both products were resoundingly positive, although at the time I was cautious of the inevitably steep learning curve adopting a new notation platform would demand. I reviewed both Finale Notepad and Garritan Person Orchestra on behalf of ‘Techstrike UK’ back in 2012. I feel very bitter about the idea of sacrificing my “perpetual licence” for Avid’s subscription package and feel motivated to look elsewhere, or in the worst case, switch to Windows.
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Furthermore, Avid now consider anything below Sibelius ultimate as ‘legacy software’ and as such it is very unlikely they’ll ever do anything to remedy this issue for Mac users.
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Although the software itself can install and boot in Big Sur, the standalone application which verifies the product licence code is not actually compatible, thereby limiting usage to that of expired trial access features.

Having used Sibelius notation software for about 25 years, the idea of switching to an alternative platform would normally be considered unthinkable… times change.Īfter updating my Mac’s operating system to ‘Big Sur’, I discovered my perpetual Sibelius 7.5.
